Last night, a rogues gallery of characters from Nashville’s business and creative communities assembled at the Belcourt Theater to deliver what could be considered a start-of-the-New-Year self-assessment:
There were three parts to the evening that did a surprisingly good job of hitting any number of moving targets.
The first part was a short documentary film describing the origins, history, demise and resurrection of a band called “The New Dylans.” The film was the final, compiled installment in a year long effort to document the reconstitution of a group that broke up in the mid 1990s – and uses their tale as an object lesson on the State of The Music Industry in Nashville in the Digital Age. Read More